Monday, March 30, 2015

Art for A Change: Social Realism and the Works progress Act, Part III


photo: museummoms.com
When visiting a museum with your class there are some essential things to discuss. The do's and don'ts list seems pretty intuitive, but once you read through this list you'll probably discover some simple tips that you'll be glad to have considered sooner rather than later! For example, visiting a museum prompts a lot of thoughts. Not all of them should be shared. Keep on reading to know what's okay and what's not okay during you big visit to the exhibit.


Teacher Preparation Guide for Visiting an Art Exhibit

According to Healey (2012), teachers can help to create more effective learning experiences at the museum for students when they:

·       have visited the museum independently prior to bringing the students and have seen the content of the exhibition(s)

·       know about the museums facilities, such as where to check-in when the group arrives, the best spots for lunch, and of course the toilets

·       have briefed accompanying teachers and chaperones about museum behavior protocols and have the capacity to manage their allocated student group

·       understand that artworks are precious and fragile so students must behave in a respectful manner and teachers model these behaviors

·       understand that the museum is a shared space with other visitors and everyone is mindful of this

·       know that we don’t mind if a visit is at the beginning or end of a unit of study.

·       understand and communicate that artistic expression can sometimes challenge societal and political norms, challenging traditional ways of thinking.



Gallery Visit Management Statement
Students and chaperones are welcome to attend the gallery exhibit during the public hours of operation posted. Photography of any kind is not permitted during any point of the gallery visit.  It is good practice to observe the following gallery etiquette and established protocols for social behavior to maintain a shared zone that is comfortable for everyone:

· when teachers have prepared students by telling them what to expect and what is expected of them.

· when students know that their bags (and mobile phones) will be checked-in and that all containers, including water bottles, will not be permitted inside of the gallery.

· everyone knows that teachers and chaperones must supervise students at all times.

· knows to keep conversation light, speaking quietly or not at all, in order not to intrude your thoughts about the art on someone else’s experience.

· when teachers trust the docent’s ability to encourage deep, rich, sophisticated conversations about artwork that requires a moment of silence so that students can have time to look and think to form considered responses.

· knows that worksheets are designed for after the gallery visit if a docent is     leading the tour. If the tour is audio, or self-paced, a worksheet may be acceptable as long as the pencil being used is permitted by the gallery.

· understands that when a word is unfamiliar be certain to listen for context clues and wait until the end of the tour for specific questions if content or vocabulary is still unclear.

· looks closely and thinks deeply about what they are looking at, and know that thinking about which questions to ask is more important that being told the answers. 


At a gallery show opening reception:
Refrain from asking the price of a piece of work, especially if the artist is present. The artist’s representative will explain details to the serious buyer at a scheduled appointment.

 It is impolite to ask any questions related to the price of artwork, if anything has sold, and how much an artist earns in a year.

 Never ask the monetary value of a work of art.


 (Healey, 2012)




References


Healey, C. (2012). A Manifesto for Schools Visiting Art Museums  
Retrieved from http://artmuseumteaching.com/2012/09/21/a-manifesto-for-schools-visiting-art-museums/
Levin, G.R. (1999).Art Education as Cultural Practice. Art Journal, 58(1), 16
Tom Anderson, Melody K. Milbrandt, 2005, para. Chapter 1: Art for Life: Conceptual

and Cultural Foundations: The Purpose of Art for Life).


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